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LET'S RESTORE THE ST. LOUIS CHAPEL!

Louis-Nicolas Matout - 1870

To contact us:
+33 6 86 18 48 75 

contact@restaurersaintsulpice.fr​

Aguttes - 147, boulevard Saint-Germain - 75006 Paris

Consulter la brochure de présentation

A Collective Commitment

P. HENRI DE LA HOUGUE

Priest of Saint-Sulpice

Thanks to its size and central Paris location, Saint-Sulpice holds a special place in the city. It is both a neighborhood parish and a sanctuary for Île-de-France — a unique building combining architecture, sculpture, painting, and music. Visitors come to hear the great Cavaillé-Coll organ, see the 17th-century astronomical gnomon, admire sculptures by Pigalle, Boizot, Slodtz, and Bouchardon, and explore the baroque Chapel of the Virgin and side chapels painted by Prix de Rome winners in the 19th century. I am pleased to present the patronage project for restoring the Saint-Louis Chapel, which will reveal its historical and spiritual dimension once again.


I would be very honored to count you among the patrons of this adventure.

Me CLAUDE AGUTTES

Auctioneer, President and Founder of Aguttes Auction House

Delacroix, Pigalle, Lemoyne, Slodtz, Boizot, Bouchardon, Van Loo… quite an ensemble!


And this immense church deserves it all. Nineteen chapels surround the choir like a crown of flowers. One of these, dedicated to Saint Louis — the great King of France — was painted by Louis Matout in 1870 and now needs restoration. Candle smoke has darkened the colors, and moisture has caused damage. Visitors pass by without slowing down. Juliette Rode, head of our office in the 6th arrondissement, spoke to me about this project with great enthusiasm. As a passionate defender of heritage, I could only lend my support to this charity sale — for the monument, but also in tribute to Saint Louis himself. He was the owner of Tournoël Castle in Auvergne (which I own and am restoring) before entrusting it to his brother Alphonse de Poitiers. I like to imagine that Saint Louis may have mentioned Tournoël in discussions around that agreement. Maybe that’s bold to think, but it compels me all the same.

JEAN-PIERRE LECOQ

Mayor of the 6th arrondissement of Paris

For more than ten years, local residents have repeatedly mobilized to defend their heritage through participatory budgeting. This commitment has enabled the restoration of many chapels at Saint-Sulpice. These contributions add to those from generous patrons, through which the Chapel of the Virgin has notably regained its full splendor. In that same spirit, we naturally support this beautiful project that I am confident will restore the colors of the Saint-Louis Chapel.

GEOFFROI DE SAINT-CHAMAS

President of the Fondation Avenir du Patrimoine in Paris

Year after year, Saint-Sulpice is regaining its colors and majesty. This iconic Paris church is a powerful example of the synergy between public and private funding. The generosity of individuals and patrons allows restoration projects to happen more quickly, complementing the City of Paris’s budget. By supporting this project, you become an active participant in preserving our extraordinary religious heritage!

VÉRONIQUE MILANDE

Heritage Curator, Head of COARC (Conservation of Religious and Civil Works of Art) City of Paris

COARC supports the charity auction benefiting the restoration of the Saint-Louis Chapel. Recognizing its heritage importance, this effort is part of the mission to preserve worship heritage and pass it on to future generations. COARC welcomes this initiative mobilizing patrons and art lovers in the service of heritage conservation.

A Work by Louis Matout

The decoration of the Saint-Louis Chapel was commissioned in 1864 from painter Louis-Nicolas Matout and completed in 1870. Through two major scenes from the saint’s life, Matout pays tribute to him.


Louis-Nicolas Matout (1811 – 1888)

Autoportrait de Louis-Nicolas MatoutPortrait of Louis Matout

Born in Renwez in the Ardennes and deceased in Paris, Louis-Nicolas Matout was a French painter specializing in religious and historical subjects. Coming from a modest background, he entered the École des Beaux-Arts in Paris, where he trained under François-Édouard Picot.

He exhibited regularly at the Paris Salon from 1833 onward, where his works were noted for their narrative clarity and moral gravity. Matout received numerous commissions for churches and public monuments throughout France, contributing significantly to the religious revival in 19th-century sacred art.

Louis Matout, Esquisse pour l'église Saint-Sulpice : Saint-Louis ensevelit les pestiférés à Damiette, 1864

Other major decorative programs were commissioned from Matout, including:

  • The chapel of Lariboisière Hospital, 1858
  • The Assembly of the Gods, ceiling painting, Anne of Austria’s apartments, Louvre, 1868
  • Saint-Jacques Chapel in the church of Saint-Merry, 1872
  • Saint-Anne Chapel of Saint-Gervais-Saint-Protais, 1860–1866
  • The paintings in La Rochelle Cathedral, 1883

Long forgotten for a time, the artist has returned to prominence: the Louvre has recently completed the restoration of The Assembly of the Gods in Anne of Austria’s apartments, and the City of Paris is restoring the decoration of Saint-Jacques Chapel at Saint-Merry in 2025.

In the Saint-Louis Chapel, Matout pays tribute to this reforming and just king — patron saint of soldiers — by depicting two important episodes from his reign:

  • Saint Louis administering justice beneath an oak tree
  • Saint Louis burying the victims of the plague in Damietta


On the vault, surrounding the arms of France, the artist also represents, in the spandrels: Louis IX (Saint Louis), his wife Margaret of France, a monk, and a bishop.

SAINT LOUIS

Louis IX was born in 1214 and became King of France in 1226 at the age of 12 under the regency of his mother, Blanche of Castile. A deeply pious monarch, he strengthened royal authority and reformed the legal system by establishing the king’s tribunal. Captured during the Crusades, he was released for ransom but later died of illness in Tunisia during the Eighth Crusade. He was canonized in 1297 by Pope Boniface VIII and is venerated as the patron saint of soldiers.


THE RESTORATION PROJECT

The chapel’s decoration has suffered widespread darkening. The colors and scenes have become difficult to distinguish, and the paint layer shows signs of deterioration — including pigment loss. One of the vault’s spandrels is particularly damaged. It’s time to act!


It has become very difficult to distinguish the colors and the scenes. There is a deterioration of the paint layer, an alteration of the pigments. One of the spandrels of the vault is even very damaged. It is time to act!​

This restoration will follow a series of projects completed in recent years at Saint-Sulpice:

  • Saint Anne Chapel (2022)
  • Saint Joseph Chapel (2023)
  • Saint Maurice Chapel (2024)
  • Chapel of the Virgin (2024)
  • Sainte Geneviève Chapel (2024)
  • Saint Martin Chapel (2025)
  • Saint Denis Chapel (2025)

Help us!

Estimated Project Duration

6 months


Estimated Cost

€450 000

SUPPORT THE RESTORATION OF THE CHAPEL

Gift of a work of art

Tax advantage

  • For the donor of the work
  • Tax receipt (Cerfa n°11580)
  • Income Tax reduction of 66% of the donation amount (individual: up to 20% of taxable income) or Corporate Tax reduction of 60% of the donation amount (company: up to €20,000 or 0.5% of net sales if this amount is higher)
  • Real Estate Wealth Tax: 75% reduction of the donation amount up to a limit of €50,000 per year
  • The calculation base for the amount of the donation is determined by the estimate of the auctioneer.

Learn more 

Monetary donation to adopt a decor element

Tax advantage

  • Fundraising whose proceeds are completely tax-exempt
  • Tax receipt (Cerfa n°11580)
  • Income Tax reduction of 66% of the donation amount (individual: up to 20% of taxable income) or Corporate Tax reduction of 60% of the donation amount (company: up to €20,000 or 0.5% of net sales if this amount is higher)
  • Real Estate Wealth Tax: 75% reduction of the donation amount up to a limit of €50,000 per year

When?

  • The evening of the exhibition opening
Learn more ​​​​

THE ADOPTION PROGRAM​

The walls of the chapel and the vault are adorned with scenes, characters, and details. By sponsoring one of them, you contribute to its restoration!

Adopt the restoration of

one of the flowers

A thirty or so flowers adorn the ground of the scene where Saint Louis dispenses justice under the oak tree of Vincennes. By making a donation of €150 or more, you can adopt one of them!

J'ADOPTE UNE FLEUR

Pyrola

Marguerite

THE PROJECT TEAM

Saint-Sulpice

P. Henri de La Hougue, main priest of Saint-Sulpice 

Louis Jullien, Manager


Maison Aguttes

Me Claude Aguttes, commissaire-priseur, président et fondateur de la maison de ventes

Maximilien Aguttes, directeur associé

Juliette Rode, commissaire-priseur et responsable du bureau du 6e arrondissement


Fondation Avenir du Patrimoine à Paris

Ségolène Stutz, chargée de mécénat


Secrétariat général

Dominique Darras


Coordination

Alexandra de Léal


Ville de Paris

Véronique Milande, conservateur du Patrimoine, responsable de la COARC

Paul Percetti, responsable du mécénat pour la Ville de Paris


Mairie du 6e

Jean-Pierre Lecoq, maire

Tristan Perrier, collaborateur de cabinet

PARTNERS